To tie your reverb effects more to your tracks Altiverb 7 features a reverb gate that is set using note values. Physically correct sound placement using the Altiverb Stage Positioner creates a stunningly realistic audio panorama. So if you use a piano chord as an impulse Response, and you clap your hands into Altiverb, out comes the chord.Īn exhaustive recording session in a Viennese concert hall gave us an algorithm that allows you to accurately place your sound anywhere on stage of all our concert halls, or in any of our other rooms. In convolution each sample of the input is replaced by the entire impulse response. Try piano chords, breaking glass, spoken word, thunder or a drum loop. Grab any sound from your tracks or the Finder and toss it on Altiverb to use it as an impulse response. Add the Frank Sinatra and Beach Boys echo chambers and you have everything you need to recreate all those classic sounds. You'll find all the EMT plates you want, spring reverbs, classic digital gear like the 480, 224, the AMS RMX 16 or the EMT 240. But you can also put your audio in French Cathedrals, the Gol Gumbaz of India or London's Wembley stadium.Īltiverb contains a tremendous amount of classic reverb gear and purpose built echo chambers. Or legendary rock studios from New York or Paris. The main concert halls of the cities of Berlin, Los Angeles Vienna and Amsterdam for your orchestral work. The Altiverb Library of Acoustics contains the most sought after spaces for music. The Impulse Response Browser contains a keyword search field, single click downloading and installing of new (free) impulse responses. Instant gapless loading, organise-by-size, and single click favorites are just a few of its features. Select impulse responses by clicking photos of rooms. The Impulse Response library is now more accessible then ever because of Altiverb's new visual browser. From London's Wembley stadium to the ancient caves of the island of Malta, and the churches, concert halls and rock studios of the cities of Paris, Amsterdam, Berlin and New York. The results of hundreds of these travels are included with Altiverb 7. Longer than anyone in the industry, and with more ear for detail, Audio Ease has been traveling the world to record the acoustics of the very best sounding spaces. Every month Altiverb 7 users receive new impulse responses for free. Altiverb 7 is efficient on the cpu, offers many parameters to tweak reverb, is total recall automatable, and has 64 bit support. It uses top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet. The original, professional convolution reverb.Īltiverb 7XL is the industry standard convolution reverb plug-in. ![]() ![]() Percussion is LOP and Gtown Anvil - this is a short submix from an older project (Chase from the Bridge).Altiverb. (Same, with European Concert Hall reverb (true stereo)) Anyway, I have access to Mac's, so I'll manage to create the AltiVerb IR's. ![]() I still have not found a program that can create them on a PC. Earlier versions need the mono Sound Designer II files. When all the IR's are finished I will also post 3 or 4 "freebies".ĪltiVerb 5 will support Windows Wave files. ![]() I hope to post some demo's in the next days. I checked this with white full wet noise recordings from the TC as from the first IR's - their EQ contours are very similar! I do have to filter out some subsonic deconvolution artefacts, though.Īctually, the VSS3 algorithms (the major part of the presets) have S/N (out of the TC) in the range of -80 to -90 dB, while the VSS4 has much lower S/N rations, in the range of -115 to -130 dB.Īnyway, it's a lot of work, but I actually still dig it because it appears to be very worthwhile! These programs can really create a EWQLSO hall sound! Maybe it's because I am now for the first time using "true stereo" IR's, but the captures are also VERY close to the original. I have been playing with a "dry" VSL mix from Maarten - I hope he'll give me permission to use it as a demo) I have the impression that these IR's will be at least as well sounding as Ernest Cholakis' collections! I have created a few IR's with noise levels as low as -120 dB! The Concert Hall programs are just great. I have managed to get sample accurate IR's, by using several reference spikes in my input files (spikes and sweeps in L, R and C positions). They leave the "freebie" impulses from NoiseVault completely in the dust (well, that's not a fair comparison I guess - I'm taking 2 full weeks for recording and editing). I have done some sweep conversion tests and the sound is astonishing (at least of the IR's that I created). It's going VERY well, actually! Last week I recorded for 3 very long days and have been editing and processing now for several days.
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